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1 comment:
Motivation is inevitable, though fragmentary. Before
she may not be "natural", because form draws its analogies from the
history. But the analogy between meaning and concept always only partial, form
throws a lot of similarities and only stores some of them in
Basque house retained roof slope, overhangs beams, but the outer disappear
stairs covered Riga, old plaque, etc. we Can assert even more:
The INTEGRAL image precludes the emergence of the myth or at least forcing
to mythologize itself, only its integrity; this happens in bad
painting built entirely on the myth of "fullness" and "completeness"
(this myth is the opposite, but symmetrical to the myth of the absurd: in the second case
form mifologiia "lack" in the first - obesity). But
the General case, the myth prefers to use poor, incomplete images,
when the meaning is already pretty skinny, ready for the post
value: caricature, stylization, symbols, etc. Finally, you
note that all the motivation is chosen among other possible. So,
the concept of "the French Empire", you can pass through many signifiers and
not only through the image of an African soldier saluting. For example,
the French General gives award to Senegalese who lost arm in battle,
the nurse holds out a healing potion lying in bed wounded
Arab; a white teacher conducts the lesson with studious little Indians: every day
the press shows us that a stock meaning creation myths
inexhaustible.
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