The Love Story of Shakespeare's Romeo and Juliet Comes to Life in ...
artnet News-Jul. 15, 2019
Van Cleef and Arpels's jewelry version was recently unveiled in Paris, while ... with 20th-century dance going back to Balanchine, and to inscribe ourselves in a ...
Demi Rose Dons A Majorly Low-Cut Shirt For A Sultry Selfie
The Inquisitr-Jul. 28, 2019
She wore her hair down and slicked back for the shot, as she puckered her lips ... In addition, the model wore another necklace with a pendant, which was much ...
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The Jewellery Editor-Jul. 1, 2019
The Equinoxe necklace offers a shimmer cosmic spectacle at the heart of ... hard stones' suggests an inferior geological ranking, a mere foil or backdrop in the ...
Backdrop Necklaces Are the Irresistible Bridal Accessory You Didn't ...
StyleCaster-Nov. 2, 2018
Though backdrop necklaces are fit for any occasion that calls for jewelry, they've found themselves particularly welcome in the bridal community. Brides with ...
1 comment:
If the meaning is too tight, and the myth could not in it
to penetrate, then he passes him from the rear and assigns entirely. This can
happens to mathematical language. By itself, this language can not be
deformation, because he took all possible precautions against
any INTERPRETATION, and no parasitic value is not capable of it
implemented. That is why the myth assigns it entirely, he can take
the mathematical formula (E=mc^2) and turn her unfailing sense
in the pure meaning of the concept of matematicheski. In this case, the myth steals the
what provides resistance and tends to preserve its purity. It
able to reach everything, and pervert everything, even the desire to avoid
mythologizing. Thus, it appears that the greater the resistance
language-the object has at the beginning, the more vulnerable he is at the end.
Who resist by all means inferior to the full: on the one
hand Einstein, on the other - "Paris-Match". This conflict can be transferred from
using the temporary image: mathematical language is a language frozen in its
PERFECTION, and this perfection is achieved at the cost of his voluntary death;
the same myth is a language, not wanting to die; of the senses on which it feeds, it
extracts about being degraded, it artificially postpones death
meanings and is in them with all the facilities, turning them into talking
dead.
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