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Hudgens amped up the look even more by layering on a necklace and a chain ... lush greenery was visible, providing the perfect backdrop for the simple selfie.
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With updated branding and imagery, the store design grabs millennials' attention while maintaining a reputation for representing fine jewelry. A two-story ...
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The model paired the look with some simple pearl earrings and a pearl necklace. ... A few other fans, noting the Parisian backdrop in the photo, shared their ...
1 comment:
It remains to consider the last item of significance: his motivation.
It is known that the linguistic sign is arbitrary; nothing makes acoustic
the image of the TREE correspond to "naturally" with the concept "tree",
this case, the sign is not motivated. However, the randomness has its limits,
which depend on the associative relationships of words; in the language portion of the sign may
be created by analogy with other signs (e.g., do not speak amable and
aimable 'amiable', by analogy with aime 'he loves'). The value of the myth is never
is completely arbitrary, it is always partially motivated and
some of its parts inevitably constructed by analogy. Below is an example of the rule
Latin grammar came into contact with the fact of naming animal
the lion analogy is needed: harmonization of predicate with subject. Below
the concept of the "French Empire" could use for their purposes the image
African soldier, you must have identity between his greeting
and greetings to the French soldier. Motivation is not necessary
the condition of duality of myth; the myth played out the analogy between sense and
form, there is no myth without motivated form [7]. To understand the full force of
motivation myth quite a bit to ponder the following
a limit case. Imagine that in front of me there is a certain set
items are so diverse that I can't find any
SENSE; it seems that in the absence of the form, with a pre sense
it is impossible to detect any relationship of analogy and the emergence of the myth
this case is impossible. However, the shape allows you to still DEDUCT here myself
disorder; it can give the value of the absurd, make it a myth.
This happens, for example, when surreal art
mythologised from the standpoint of common sense; even the lack of motivation
not preclude the emergence of the myth, for the absence can be
sufficiently objectified that it can be decrypted, so that
finally the lack of motivation becomes secondary
motivation and the myth can be recreated.
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