Tuesday, November 19, 2019

Story image for vintage jewelry from New York Times

Jacquie Aiche, the California Girl of Jewelry Design

New York Times-Sep. 11, 2018
... from various vacations, large rocks, feathers, small statues picked up at flea markets and a shrine filled with, among other things, vintage dollhouse teepees.
Story image for vintage jewelry from Seattle Times

A gem of a job: Rhinestone Rosie has Seattle shop, TV gig

Seattle Times-Nov. 28, 2018
Rosalie Sayyah has been repairing and selling costume and estate jewelry in Queen Anne for 34 years, and appraising on “Antiques Roadshow” since 1998.
Story image for vintage jewelry from Interior Design

Miansai Turns Vintage Wheels Into Mobile Shops

Interior Design-Apr. 27, 2018
Yes, the fashion cognoscenti knows we're talking about Miansai, the jewelry, ... Design savvy that he is, Saiger chose not any vehicle, but super cool vintage ...
Story image for vintage jewelry from iMore (press release) (blog)

How to get the perfect vintage wedding dress for less

iMore (press release) (blog)-Sep. 6, 2018
Whether you want an actual vintage gown or a handmade retro style gown ... While you're here, you can also buy wedding decor, stationery, jewelry, and bridal ...

1 comment:

Pearl Necklace said...

Understand and laid out so natural
history has a condition of its opportunities to the General membership
things and language to the representation: but it exists as
tasks only to the extent that things and language are
divided. Therefore, it should reduce it
distance to bring the language to the observation, and
seeing things-words. Natural history is not
other than naming the visible. Hence its apparent
the simplicity and the manner which from a distance appear to be naive,
and due to the obviousness of things.
The impression that along with Tournefort, Linnaeus or
The bouffon was the last to say what was
visible, but remained silent in connection with some irresistible
the distraction of the views. Really, it's not millennial
carelessness, which suddenly disappeared and in the opening
the new field of observability, which was formed in all its
depth.
Natural history became possible not because
surveillance has become more careful and watchful. In the strict sense
words we can say that the classical era of managed if not
to see as little as possible, or at least to restrict deliberately
the space of their experience. Since the XVII century surveillance
is sensual knowledge, provided consistently negative
conditions. This, of course, the exclusion of hearsay, but the exception also
taste and smell, as due to their uncertainty, because
variability they do not allow qualitative analysis of different
items that would be universally acceptable. Very strong
the restriction of touch with the designation of some obvious
opposites (e.g., smooth and rough); almost
exclusive of view, which is the sense
evidence and extent, and therefore, analysis partes
extra partes accepted by all: the blind seventeenth century may well be
geometrician, but he will not naturalist