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1 comment:
Great madness to believe that the authenticity or purity of creativity
determined by the act of escaping, the act of rupture with the living forces of spiritualized and
driving human existence, the great madness to believe that this purity
creativity depends on the wall of separation erected between art and
desire or love. The purity of the creativity depends on the strength internal
dynamism, generative creativity, i.e. on the strength of the potency of art.
No wall of separation does not isolate the potency of art from the internal
universe of desire and love, living human being.
There are, without a doubt, the specific desire and love that
just is identical with the activity of the artist, consubstantial with this activity. It
the desire to create a work, love to create works of art. Discussing
the book Henri Brémont about pure poetry, T. S. Eliot writes: "To begin with I
confused by the assertion that "the poet... the more he is a poet, the more bruised
need to give your expertise" *. One of ordinary
categorical assertions that are very tempting to accept without
check; but the situation is not so simple. I would prefer to say that the poet
tormented primarily by the need to write a poem" **. However
fair point Elliot should not confuse you: in the
aspiration to work and to be creative yelizarovo not direct
- that's right - the desire to transfer our experience, but still
the desire to Express this experience; what then is the result of creativity, if not
expression the creative? The substance of the man is unknown to himself. When
things covers emotion for a poet Wake up together and stuff, and I
a special kind of knowledge - a dark, essentially nevyhovuje,
which can only be expressed in the work; and this is poetry
knowledge. Hence the obvious role of subjectivity, the role of I in the knowledge and working
poet.
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