Prince George joins royal balcony tradition
BBC News-Jun. 13, 2015
Now, Prince George has fulfilled this royal rite of passage on the Queen's ... ears and frowned during her balcony appearance on the royal wedding day in 2011.
'Instagram Royal Wedding' sees bride's face DUNKED in cake ...
Express.co.uk-Sep. 8, 2015
'Instagram Royal Wedding' sees bride's face DUNKED in cake in series of bizarre ... than Ms de Solis, 34, dunked her step-mother's face into the wedding cake.
Evan Ross shares fairytale photos from wedding with Ashlee ...
HELLO! Canada-Jul. 28, 2015
“#reflections of such a beautiful wedding,” Evan captioned the picture. “Me and my amazing wife @ashleesimpsonross. At my mother's house in Greenwich ...
Lance Corporal convicted of attacking model girlfriend in row ...
Telegraph.co.uk-Mar. 13, 2015
Talking before the wedding, he said: "My mum has set the video and she and my ... Daniel Ridge, who played a key ceremonial role at the royal wedding, ...
1 comment:
But, of course, it is not enough just to repeat that the author has disappeared. Exactly
the same is not enough to repeat endlessly that God and man died one
death. What really ought to do is to determine
a space that due to the disappearance of the author is empty,
look at the distribution of the lacunae and faults and hunt down those loose
places and features that this disappearance uncovers.
I would like to recall briefly the problems arising in connection with
use the name of the author. What is the name of the author? And how does it function?
doesn't that mean it simply: to repeat in the transcendental
terms, the religious principle of the tradition, is both indestructible and never
not executed to the end, or, on the other hand, is not aesthetic
the principle of the continuation of life works after the death of the author, save it
on the other side of death and his mysterious redundancy in relation to the author?
I think, therefore, what is the use of the concept of the letter concludes
the risk to preserve the privileges of the author under the protection of the a priori: it prolongs
- in the gray light of neutralization - game of the representations, which
formed a certain image of the author. The disappearance of the author - event
which since mallarmé lasts without end,- is subjected to
transcendental the locking bolt. And if today is not important
the line between those who believe it is still possible to think
current gaps in the historical and transcendental tradition of the nineteenth century, and the
who are striving to final liberation from it*?
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