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1 comment:
If V. E.Meyerhold was configured to the cinema very
skeptical, then Ya Linzbach in his "Principles of philosophical language"
(1916) evaluates the language of cinema as very promising. He writes: "It is
the language with the greatest external difficulty has the least
the internal complexity of language, the principle of which has received the most complete and
final identification of the outside" (of Linzbach Ya. The principles of philosophical
language. Experience accurate linguistics. - PG., 1916. P.69).
As typical of semiotics, he tried to distinguish the grammar of that language,
noting in this regard: "although the language of cinema has no
grammar, but of logical relations, which marks grammar, expressed
here even better and more perfect than in ordinary language. (...) Grammar
here, the whole dissolved in the live image. To distinguish it from the latter can
only artificial, but here there is no need" (There
same. P. 70). Prior to that, he noted that prepositions, conjunctions, prefixes,
the end is expressed here a direct picture.
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