Revealed: Bo Legendre's stunning Belperron jewels
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1 comment:
The same complication we see upon examination of the plot. On the one hand,
it evokes a series of associations, "which the artist can then send that
or that emotional line with a stylistic design" (ibid.
P. 59). On the other, talking about the history of the stories, he says:
"Each of the stories tend to, so to speak, its
"emotional capacity" and therefore the mass appearance of such stories in
such environment and their complete disappearance at change of conditions of existence can
to be the most valuable symptom for the historian. In this sense, the value
the plot is absolutely homogeneous with the value of PI materials technology: each
material and each technique has its own peculiar "formal capacity", your
special formal opportunities are strictly limited..." (There. same.
P.60).
Even the smallest characteristics of the study F. Schmittfilled
the semiotic significance. So, the reasoning of the lack of facial expression in the Egyptian
painting and sculpture,
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