Saturday, November 23, 2019

Story image for royal wedding from Telegraph.co.uk

Royal Wedding carpet maker in pay row

Telegraph.co.uk-Aug. 8, 2012
Victoria has announced the resignation of Alexander Anton and Geoff Wilding as non-executives of the company because of “irreconcilable differences” about ...
Story image for royal wedding from Telegraph.co.uk

Royal wedding effect helps drive interest in church ceremonies

Telegraph.co.uk-Sep. 20, 2012
More than 410,000 people logged on to a special weddings website, set up by the church as part of a drive to attract couples to tie the knot in parishes, last year.
Story image for royal wedding from Telegraph.co.uk

Duke and Duchess of Cambridge to take part in 'royal ...

Telegraph.co.uk-Mar. 22, 2012
It will be the first time the Duke and Duchess have taken part in a formal carriage ride in London since their wedding last year, and will be followed, as it was on ...

1 comment:

Pearl Necklace said...

That is the disastrous experiences of our days made the author
clear ancient Russian religious art, also originated in the days
the ordeal and gave the answer to the great suffering of the people" (Trubetskoy
E. The meaning of life. -- M., 1994. P. 222). The replay context is brought to life
repeat understanding (or true understanding) of iconographic messages coming
from the past.
Hence the first thing in E. Trubetskoy, --
the discrepancy between a modern reading of the old icon, hence the "zakonnost" her
in salaries and so on. "We passed icons, but never seen it. It seemed to us
a dark stain among the rich Golden salary; only as such we
knew. And suddenly-a complete reassessment of values. Gold or silver robe,
closed icon, was a very late acquisition of the end of XVI century; it
first of all the work that godly tastelessness that
indicative of the loss of religious and artistic meaning. (...) What
we would say if he saw clad in gold and sparkling semiprecious
stones of the Madonna of Botticelli or Raphael?!" (Ibid.P. 245).
And in another place is the same only semiotically oriented passage,
when there is a collision of two languages, and one absorbs the other text,
capturing it in its entirety in its structure. "Hence the transition to a rich Golden
salary is natural. Once the icon is valued not as an art
the revelation of religious experience, then why not dress her in a gold dress,
why not turn it into a piece of jewelry literally
the meaning of the word. The result is something even worse than
turning the icon into a black, charred Board: marvelous grace
artistic revelations, born in tears and prayer, closed
rich embossed clothing, the pious work of tastelessness" (P. 288).
The original context in which E. Trubetskoyplaces
ancient religious art is the juxtaposition of "way
animal". As writes E. troubetzkoy, "the horror of war, which we now
perceived so badly, they were evil chronic. About "the animal way" in
their times reminded countless hordes, tormented Rus. Animal Kingdom and
then proceeded to the Nations with the everlasting temptation: "all these things give
you polonesia thou me" (ibid.P.225).