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Prince Harry and Meghan Markle have chosen white garden roses, peonies and foxgloves for their wedding day. London-based florist Philippa Craddock will ...
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1 comment:
In artistic speech
there is a setting for the expression form, which is not in everyday speech
(Tomashevsky B. Theory of literature. Poetics. Moscow-Leningrad, 1927. P. 9). Have
Yu. Lotman it is formulated in the following way, which will take into account
the dynamic aspect of such oppositions. "To General
the structure of the text has preserved the information content, it should always be displayed
from a state of automaticity, which is inherent in non-fiction structures.
But at the same time works an opposite trend: only items
given certain predicted sequence, can
to perform the role of communicative systems. Thus, in the structure
a literary text simultaneously work two opposite mechanisms:
one seeks all to subordinate the system to turn them in
automated grammar, which is essential to the act of communication, and
other-to destroy this automation and to make the structure of the carrier
information" (Lotman Y. M. the Structure of the artistic text. M., 1970.
P.95).
In his delineation of folk art from Navalcarnero
(see next section) Lotman writes another
interesting communication line. Now we are talking about ritual
communication. In the past people could all my life to read one book ("Bible"),
today, he builds his information flow differently-he
increasing the number of texts. Lotman interpreterpath these two options
communication as getting from outside (typing) and getting inside
(The Bible).
"It is possible to consider two cases, making the information held by
any individual or group. One -- getting outside. In this case
information is produced somewhere on the side and in constant volume
is transmitted to the recipient. The second-is constructed differently: it is only from the outside
a specific piece of information, which plays the role of the pathogen that causes
the increase of information within the consciousness of the receiver" (Lotman Yu. M.
Canonical art as informational paradox // problems of the Canon in
ancient and medieval art of Asia and Africa. M., 1973. P. 18-19).
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