UK tourist industry cheered by royal wedding
The Independent-Nov. 27, 2017
The UK tourism industry has welcomed the impending royal wedding — and the “free publicity” that the event next spring will bring. The director of VisitBritain, ...
15 photos that show what royal wedding dresses look like ...
Business Insider Nordic-Jul. 21, 2017
A royal wedding isn't just a union between two people and their families. It's a national (and sometimes international) affair that attracts throngs of well-wishers, ...
Princess Margaret, Royal Rebel: How Her Heartbreak Moved ...
E! Online-Dec. 7, 2017
Armstrong-Jones, subsequently Lord Snowdon, and Princess Margaret were married at Westminster Abbey on May 6, 1960, in the first royal wedding to be ...
A Royal Wedding! Prince Philip Karageorgevitch of Serbia ...
Brides.com-Oct. 10, 2017
It's official: This Serbian royal wedding was the event of the weekend! On October 7, 2017, crown royals from all over Europe traveled to Belgrade, Serbia, ...
2 comments:
For all that are discussing the principle remains true and should not
forget. Art holds good works - not the good of man.
The first responsibility of the artist has a responsibility to its
work.
Note that while in the service of beauty and poetry, the artist, is
the absolute, he loves the absolute, he is enslaved to the absolute of such love, which
requires all of his being, the flesh and the spirit. He could not agree to any
division. A piece of heaven, hidden in the dark sanctuary of his spirit, I mean
creative or poetic intuition - is the first commandment, which
must obey his faithfulness, obedience, and attention.
In brackets add that creative intuition feels is important
the need for regulation of the working of the mind. When the resources of a discursive mind and
dependent - secondary - rules become instruments of creative
intuition, they form the Genesis of the art of the necessary Arsenal of prudence,
cunning and guile. This scent, this patient deceit meant Degas,
when he said, "painting is a thing requiring not less than the wiles, trickery and a
wickedness, than the crime". While we are talking only about
very innocent demon, the demon of trickery and wiles, subordinating work
rules.
In fact, we can't want to be bad, I can not wish
to do evil because it is evil. We need to know that some act
bad that we felt obliged not to do it.
Moral obligation is not the result of social taboos. Moral
the obligation there is a compulsion exerted by the intellect to the will. We
see, for example, that to commit murder is evil. The idea of
murder as evil binds me. I "bound conscience". That is a moral
the obligation on the level of abstract contemplation of moral entities as
such. But there's another level: the level of real choice, act
freedom. Here I have the power to make a choice, the opposite of my conscience and
the opposite of moral obligation. I can say that it is an act
reprehensible, but my benefit is to satisfy my fury: I
will reach this murder that more love, and so much the worse for universal
of the law! In this case, I choose murder not because it is bad, but
therefore, because of the specific circumstances and the passion which I
freely allowed to prevail in me, it is good for me. But not
moral good! And in the end to choose, I have in the
the time of the act of my choice to take his eyes from the contemplation of this act as morally
bad, or, as Thomas Aquinas says, to avert the gaze from the contemplation
rules.
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